By: Bartolomé de Torres Naharro
Company: Cía. Nao d’amores
The celebration of the 500 Aniversary of the publication of the Propalladia, a compilation of his plays whose Promhemio constitutes the first theatrical required in romance language, its a big occasssion to recuperate this huge dramaturg who, conssidering the necessity to joint praxis and theory, initiated a new Renaissance-comedy.
By: Albert Camus
Company: Cía. Teatre Romea
The existential absurd, hardship, and the logic of the power are some of the topics that appear in this production that stages one of the most important dramatic pieces of the French novelist and dramaturg born in Argelia.
By: Jonathan Swift
Company: Cía. Micomicón
Swift’s monologue, undeniable model of the essay genre, is a whipping to indifference. It tries to solve the problems of overpopulation and poverty of the working class peasants in Ireland through a “reasonable, economic and easy” solution: the poorest parents must sell their children so that the rich landowners can eat them.
By: William Shakespeare
Company:Cía. Teatro del Olivar y Pérez y Goldstein
What is Othello without Iago? A public scandal: The youngest Desdemona, the single heir of the most richest man in Venecia, runs away with the Black Corsair (Othello) who the Serenism Republic has hired to safeguard Chipre from the Turkish Attack.
By Ricardo Campelo, based on Lope de Vega’s text
Company: Teatro Xtremo
In this work, research starts off with a text that Lope de Vega read in 1609 to the academics in Madrid. A manifesto, a declaration of creative principles, an advanced meta-text with rules that establish the origins for the creative process. Through music, video, movements and the space, the company creates a direct connection between Lope’s era, the Baroque period and the 21st Century.
28 y 29 de junio
28 y 29 de junio
28 de junio y 5 de julio